
What follows below is the pictorial transition from broken to unbroken. If you’ve read my other posts, you’ll know that I usually try to use reclaimed parts and pieces in my restorations. This one is no different. To cleat the breaks I used two sources of wood: bits of cedar that were salvaged from my previous Almansa project (fitting since that Almansa was a school’s guitar), and pieces of old reclaimed spruce siding that I sanded down paper thin. It was the only way I could get something flexible enough to contour one portion of the violin top. You’ll see as we go.





















Major surgery for sure! Great work!
Grant Suderman
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